The Quarter Mile Podcast
Join Drew Davis and friends on this "Fast and Furious Themed" Movie rewatch podcast. We started by reviewing the Fast & Furious series, and then we just kept going! Come talk films with us!
This Podcast is all about chill vibes, having fun while talking about movies, and connecting with friends and our podcast community. Life Is Short, so live it one Quarter Mile at a Time!
The Quarter Mile Podcast
The Italian Job
Drew, CJ, and their friend and fellow comedian Cortney Warner, take a trip overseas this week as we review THE ITALIAN JOB! Join us as we talk about this early 2000's classic with an Allstar cast!
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SOCIAL LINKS:
The Quarter Mile Podcast
Drew Davis
CJ Walton
Special Guest:
Cortney Warner
[Music]
What's going on? Welcome back to the quarter mile podcast. I am your co-host, CJ Walton here with the original host Drew Davis.
- I'm so curious. - Oh, gee, in the building Drew Davis.
- Smoded this wonderful thing and brought me along for this ride, which this fast and furious ride. - That's a curious ride.
- We're in the wild ride. - We smell a lot, which we're on. I'm so happy you guys are back.
Make sure you guys are always checking us out. Make sure you guys are always staying tuned. I'm very excited today because we have my baby sister in the building today.
So we're gonna shoot over here really quick and look at my girl, my baby sister who's doing amazing things and an outside of this pretty comedian, Courtney Warner.
[Music]
- My baby sister. - On the fog guys in the house, in our presence, we are so lucky. - Like, dude, what are the deals?
- We are Courtney Warner. We have to start seeing the Courtney Warner. Courtney, talk to us. Tell us who you are. Talk to us.
And I want to know what is your relationship with the fast and furious because this is what we do up in here. We get fast, we get furious, we talk about it.
- Family? We're a family. - Absolutely. - Absolutely. We ask them to hear you. Well, we are family. We are family. So, hey, what's up everyone? I'm so excited to be here.
Like C.A.J. said, my name is Courtney Warner. I am a comedian and writer and producer based here in Nashville.
And, yeah, I just, I run shows. I run a show at Third Man Records at the Blue Room. It's quarterly. I'm getting ready to do my next comedy special at the Blue Room. It'll be May 2nd.
- This is a hot, I haven't really announced this before. - At this night is working miles for hotdust exclusive.
- I run comedy shows. I travel over the country doing stand-up. I'm very lucky to do all that. And, yeah, I just love making people laugh.
And I like having a good time and being a silly goose. You are a silly goose.
- I just hate you. We all have to get down and have fun because life is really hard. - It is.
- I heard somebody had someone tell me, I don't remember, some authority, a figure, a adult, tell me as a kid. And they're like, you there are gonna laugh or you're gonna cry.
- This, this, oh, white man told me that. He said 70% of the people don't care and 30% of the people do. He was like, so don't, don't, don't even worry about that.
- I've had this old head-on, so you know, if he had a head-on, answer scandals. I'll give you from good invite.
- Well, combo, but it's one or the other, along that it's run away. - Yeah, yeah, yeah, yeah.
- But, but what is your relationship with F&F, with fast and furious? What's about the FU in your life?
- The FU.
- It's gonna, like, I don't, I don't necessarily know your entire audience, but I might piss off some people.
- FU was during COVID and I had gotten my first round of vaccines and I was so sick and embedded from getting the vaccine. So I just laid on my bed and watched all of the movies for the first time.
They had them all on Hulu at the time. And I go over the course of, I think, like, maybe two and a half, three days. I went to the bathroom and got food and water, but I was just so like out of it.
So that's what I did. And I think they're incredible. I think they're such fun movies, like you can tell. They're all just giving it, they're all having fun.
And they, they knew what they're doing. They know what kind of stuff they're making. And like, but also you need that kind of, you know, like, I know people like to criticize movies like that is not being high art.
But I think it was Elizabeth Olson who is in, you know, the Marvel movies and she was like people who make fun of, like, those kind of popcorn movies are, there are the reason why theaters are still able to stay open.
- Yeah, absolutely.
- Absolutely.
- Louise is so good made and indie stuff can still be seen. So, I'm gonna agree with that.
I just, I've a lot of love for those movies and you can just tell those guys, they just put their whole heart and soul into it. And that's just, it takes a lot of work to make movies like that, you know?
- Absolutely.
- I feel like she said all of that just because she was like Paul Walker was fine. And I'm like, what she's really saying, but she really paid a world.
- It was so fine. I'm trying to think like he was in that movie, wasn't he in some movie about like, like, like, machine, like, what the dogs on the slides?
- I don't know. He was in, he was in, he was always in my dreams.
- Yeah, the movie was called "Seagage Dream" and it plays every night at one.
- Wait, yeah, I'm in a topic. - I'm in a topic.
- Ever I go to sleep. There he is. - Anyway, that's all I had to say about that.
- They're very fun movies and Paul Walker's hot. That's probably a lot of like, people's fast and furious opinion.
- But let's get into it right now. Like, let's get into this podcast.
- Yeah, so let's talk about this, so first of all, this movie before we talk about this movie, we need to reference that the Italian job was actually a remake of another Italian job.
- It was '69. I had never, I've never seen that movie. Have you guys seen the, as a guess? - Yeah, that's the funny thing.
I've seen that one a long time ago. I hadn't seen the, the Walker network.
- Yeah, so season three when we watch adjacent movies to adjacent to the fast and furious movies, well, that's such a...
- I was just into the regional adventure.
- Yeah, so, which I guess I should, because I upset all the Reddit community this, this week when I brought up
the Italian job in a fast and furious Reddit, because many, when I asked if they felt like this movie could be considered canon,
the most common is our got was absolutely not. The reason we're covering the Italian job today,
I don't know, fast and furious themed movie rewatch podcast, is there's three factors that make this movie related to fast and furious one.
This movie as well as fast and furious a eight was directed by F Gary Gray.
In addition to him being in fast and furious a that was also the introduction to Charlie's throne who played the character cypher.
Of course Jason Satham has been in since fast seven, but he's in eight, nine and ten, and debatably one of the best parts of the series.
And then another thing, so Jason Satham who plays Deckard Shaw was in Hobbs and Shaw, which is a movie we're reviewing in a few episodes.
And in that movie when him and the rocker, you know, doing their thing, he goes to a car, his car garage has old cars of like his other cars and someone points to a mini Cooper.
And he's like, oh, that's from an old job in Italy, which is a nod to this movie.
And over the top fast fans like myself like to pretend that means that the Italian job is in fact in fast and furious universe.
You could see that because maybe Jason Satham changes identity, you know, yeah, I could see that.
Well, there's one, there's one glaring piece that makes it probably not possible and that is Stella, Charlie's throne and the Italian job is a wonderful person.
And cypher, Charlie's throne in fast and furious is like is a big villain.
And like two polar opposite characters, but it's fast and furious. They could totally get make a backstory that went from how she became such a wonderful, from a wonderful person to like a terrible human being.
Well, we know how she could.
I mean, from the Italian job Mark Walbert broke her heart.
Yeah, maybe it started with her dad.
Yeah, that's true.
Her baby's around, right, remember, with her dad and then Mark, Mark Dr. Same, she had a certain, my ex boyfriend does that, you know.
We need to start a news list on this podcast of all CJ's, boyfriends and husbands, because it hurt.
Apparently we have not to consider actual human husband.
We have, we have Paul Walker, we have sung thing.
We have Mark Walbert. Am I missing anyone?
Did we have anyone left? We can super fast. I don't need to.
Fast had any of your husband.
Did we? No, no, none of them. No, super fast and have any of my husband's, but did like the show.
I was like, okay, there we go.
Husbands, wives, boyfriends, girlfriends.
No, I'm joking, I'm joking. That's good though.
But yeah, like it maybe it started with her dad.
Yeah, not with Mark.
Or maybe we learned later that it was on like who she was was an act.
And that she really was as a fast and furious.
Also, here's the most interesting thing in action to the two movies.
And it's completely on confirmed rumor, but I feel like it's like one of those conspiracy theories that has enough legs on it that you're like, well maybe.
So apparently there was a sequel script for the Italian job, the Brazilian job.
They never made it.
And the rumor is that universal bought that script and made fast five and that script was part of fast five.
And when you watch fast five, that is when the genre goes into heist type movies.
That's where you have the big scene where they bring back all the characters from the previous movies just like this opening scene.
Yeah, right.
In Italian job.
But here's the part that really kind of nails the nail in the coffin for me, which is the bank robbery high scene where they're dragging the building.
And there's such a story on its own.
It's like such and it's literally one of the best cinematic chase scenes in all of movies.
And when you watch the rest of fast and furious chase scenes, we're not bringing that kind of volume.
But when you watch the Italian job and you see that last scene with the helicopter and the mini-coopers, like that tells us, it's like the same people could have made that scene in fast five.
Yeah. So like listen, you who's listening to this podcast, believe whatever you want in life and all things.
But like my personal opinion is it's probably true.
You could see that too.
You could see that too.
Because I mean, even like watching the two movies, like I know I've seen the Italian job actually before I'd ever seen the fast the fast movies.
And now in retrospect, seeing having kind of getting getting ready for the podcast, I mean they are similar in tone, music, just a lot of the way they're shot.
Although I will say we're kind of comparing things music music rise reminded me of the matrix.
Yeah, yeah.
I thought of like, oh, the matrix immediately.
There's a few moments for like, there were a few different.
I'm trying to think of where they were, but when I heard the music, I was like, where have I heard this before?
You know, I was like, oh, it's the matrix.
I hate to say this, but the Italian job put me in a amount of oceans 11.
Yeah, I kind of had that the whole like team and big cast, beginner cast.
We have like star, maybe that cast was star, absolutely, she's in three that she raises Donald Sutherland.
Mara P, the man, the man.
Like for not about him kind of until I saw this movie.
He's all in it for the beginning.
Yeah, and he's the deck pad, but he makes such an impression at the beginning there.
Like he kills his part and keep it mine.
He was in the 1969.
Yeah.
Yeah, that's what that maybe is why he like danced so well and seemed like he was enjoying this role.
Cause maybe it like a harken back to another movie for him.
Good.
I know he's in the 16th Michael Kane.
So yeah, we're Michael Kane.
We got a Mark Walberg, of course.
Edward Norton, who this, do you guys know this story about him and maybe this movie in just in general?
Like if it was a really convincing bad guy in this movie.
And I think part of it was because he made it being in this movie.
He had signed a certain amount of contract.
This is after like the Hulk or something didn't go through so like he owed them a movie.
Right.
There was some bad blood or some situations.
I don't know.
And he, I don't, I don't, I don't, I've never actually met Edward Norton, but everything I read about him is like one of the...
He had just say allegedly.
He had just say allegedly.
But he had just said allegedly.
Allegedly.
He's very hard to work with and in this, but, but apparently...
But apparently that allegedly, not fairly he owed them a movie and this was the last one in his deal.
So if it looked like he didn't want to be there.
Yeah.
But you know what honestly like maybe that also added because he was a good villain in this movie.
But he was, um, was, he was a menace.
I just say I also thought he was hot in this movie.
Was it, uh, he was attractive.
I don't know, he was attractive.
He reminds me, he just reminds me of other people that I've met before.
Like the little little he had where I was like, oh he's cute.
Yeah.
But also what a piece of shit.
Yeah.
And maybe that was like extra attractive.
So I'll never meet this man.
Was he attractive with the mustache or in the one car scene where he didn't have a mustache?
I was not surprised.
Did you know that there was like an adjacent at one point, like, what?
Did he shave?
Get a clean shave.
Which was a scene from Superfast actually during one of the chasing.
Look at us.
We had Mark Org, Robert Edward Norton, Charlie Stheron.
This might have been the best looking she's been in my opinion.
Like she, this was, uh, this was the first movie I was introduced to Charlie Stheron.
And I've been a fan of her.
Okay.
I mean, I think the first movie I saw of hers was Monster.
So really.
She was very tough.
Very different about so, uh, to the point where I've got, eh, when you get money, money changes.
Yeah.
That's true.
Yeah.
Jason Satham, of course, classic Deckard Shaw himself, the whole reason we're watching this movie,
that applies to the podcast, Seth Green, oh my gosh.
I'm my, I'm so fan of Seth Green.
I am such a fan of Seth Green.
He doesn't pop up super often.
No.
There he is.
He was literally my favorite character in this movie.
I would stop Seth Green.
Yeah.
I would love Seth Green.
But I feel like he'd see you in the movie.
No, you can hang with the cook.
No, no, I don't know.
Maybe.
He reminds me a little bit of like Charlie Day, too.
Yeah.
Just the vibe.
I'm like, oh, was this Charlie Day before like the prototype for like, Charlie?
Yeah, sure.
I get enough credit.
Seth Green is a good actor.
He does not get enough credit.
He's a good actor, but like, is anything also like writing a family guy?
Like, isn't he?
He doesn't act that much now because he doesn't need to.
Yeah.
Oh, no.
He doesn't, he doesn't need to do anything.
Robot Chicken and like, yeah, Ted or something like that.
Ted, robot chicken, Austin Powers, rat race, rat race,
rat classic.
I mean, the man has an his, I can db is ridiculous.
Yeah, he has a vision.
He has a lot of brevity, you know.
Yeah, he's my fair.
And of course, you can't finish the cast out saying most deaths.
Come on.
Batman.
Who a rapper cameo, all right?
Who a rapper cameo.
Yes.
Like, the show.
I mean, you know, Luda, Luda, Charo, little blah, blah.
blah, blah, who else?
Rapper cameo.
I'm so big.
That's my theory is why the fast movies have such good music, you know, because they have
to do everybody.
Yeah, I really learn by their sound.
But now most death is probably at other husbands.
Yes, he is.
Oh, right.
He is my other husband, but he is also one of the most unburrated musicians turn actors that
we have.
I when I met him, here's a fun.
Yeah, I met him at the, um,
what was a bridge stone?
So I met him at the bridge stone.
And if you remember the boondocks, most deaths, voice is on everything.
Yeah.
Like the man has even been on Sesame Street.
House of appraisal.
But he played a character on boondocks.
So the point where, as soon as I saw him, I went, stroighted to character mode.
And he answered me back in character.
Oh, that's fun.
And when I tell you, I was so happy.
And then Chinese co-host on the radio, since he was like, what are you talking about?
And me and him both looked at her.
And he was like, you don't get in there, am I?
I was like, I can go home now.
Okay.
That's cool.
He literally, he literally did.
I was like, if I ever be most death, I'm going to say this to him.
And I said it.
And he said it right back.
Oh, that's not good.
What did you say?
What did you say?
I'm not going to say it right now.
Oh, well, I don't come back to you in a minute.
But, um, try that scene.
Absolutely.
That is literally whatever we're doing, interrupt us and tell us what it is.
That's so cool.
Yeah, just put it up.
Yeah, I'm going to tell you.
Hold on.
But keep going.
Yeah.
It was thanks delicious.
My wife's from this.
She's like, hmm, it's so delicious.
I love it.
He was thanks delicious on boondocks.
And he was like, he was a couple of different voices.
But I walked up to help us like, thanks for the delicious.
He was like, he was like, oh.
- Oh my, I love her.
- Eventually just had my hair dry.
- Hang on, I don't know predators Jersey.
Where's buraya, where's the president of president of president?
So I was, so, but, my stuff is probably,
and you should check his IMDb out,
because he also was in another movie
that we definitely have to watch.
It was The Man with Hands,
where he was a doctor who they didn't realize
because he was a black man,
that he could actually perform surgery.
Now, I wanna say he might have been,
Dan, you'll hail like the first old surgeon.
- Yeah, that's awesome.
I haven't seen that, that sounds like good movie.
- That sounds like good movie.
- Yeah, that sounds really good.
- Not looking out like, go ahead, keep us going.
- Well, now, in case you haven't seen the Italian job,
and you're like, what movie are these people talking to?
And why am I listening to an episode of a podcast?
I've never, right, yeah, so many, this can't be,
it was like, she said it was a star-studded case.
- This is, yeah, which, in that,
I feel like in this time,
that was like the name of the game for movies,
like Ocean's Eleven, you mentioned that,
like Les Butts, and which I like, I like,
it sets me up to, even the movie is not great,
I'm gonna go in with a positive attitude in my brain.
It's like, well, there's got all this amazing cast,
and maybe I shouldn't do that,
because there's plenty of movies where,
Felix really covered Better Lock Tomorrow,
and we were like, never heard of any of these people,
but that was a good movie.
Super fast out, that's the best example.
But we had plenty of unknown names there,
and it was fun enough.
- I'm sorry, I like the,
- I love these. - They say, they pray on unknown actors.
Like, yeah, do you wanna be in a fast and furious,
like, move?
- I would be like, yes.
I'd be like, I'd pay you.
- You were kind of being scream, you know?
- Absolutely.
Well, if you haven't seen The Italian job,
we have such a treat for you.
We called and couldn't get Mark Wahlberg tonight.
- I was tough, I tried,
but he had a scheduling conflict.
- That's so hyper with the camera.
- Yeah, but maybe next time.
But what we did get is we do have an AI plot summary for you
from the perspective of Harley/Mark Wahlberg,
and Courtney, our guest host and amazing comedian
and person and impersonator and like--
- See, let's not say that.
- Yeah, let's see.
- You know, they call her Morphe X-Men,
because-- - Ooh, that's good.
- That's good.
- That's good.
- Morphe X-J, I like that.
That's good.
- Anyway, but she's gonna read our plot summary
with her best and/or worst Paul Walker impression.
Hope Mark Wahlberg impression.
- Yes. - I don't know how to be a hot guy.
So--
- I do feel like the Paul Walker impression
would be you just reading it.
- Just staring just like--
- Yep.
- Anyway, ladies and gentlemen,
your AI plot summary is for The Italian job.
I gotta get in my character.
I packed my color and habit, y'all.
Okay, now I'm fucking Boston and I'm from out of breath, y'all.
And I--
job.
It's Italian and there's a fucking job.
And like my boss lights my analyze.
Like he gets fucking shot in front of me,
and it's like a Batman situation, he's not my dad.
And also his daughter is like super hot,
but like she fucking hates me
'cause she thinks it's my fault her dad died.
And then after that, then we have to go find
because that would know it in my fucker.
I thought he was still just a big man, Brad Pitt's a man.
No, that's the opposite of the fucking fight,
we don't talk about that shit here up in the family.
Now, give me my Samuel Adams, where the fuck is it?
Anyway, taking my October fest over here
and the Italian job, man, I owe them,
that's back when I was still fucking hot.
I was so coming off of the time when I did "Puggy Nights."
Paul Thomas and just, "Why don't you ever fucking call me?"
You know what I'm saying?
Anyway, the Italian job, those motherfuckers,
what a great fucking experience.
I got to show off that I was more than just market-marked,
you know, I could carry a movie with any other leads too,
but I was a star, you know.
And we are in downtown Italy
and we got gold, we got gold from under the ocean
and then we was taken and then I had one,
no, and that little wheezy motherfucker,
he like takes it away, he double crosses us
and kills our main guy.
And then we ended up getting a bone after him
and there's a lot of fight scenes and chases
and Charlie's there on, can take locks,
like no other and also we fall fucking in love
who gives a shit.
Oh, okay, we get the money back,
but there's not that much left and then we win.
And that's the fucking movie, okay?
So, the Italian, the worst, my darling, dove us.
Okay, I think I offended every time.
- That was so bad.
- That was perfect.
- That was great.
- That was great.
- Wow.
- And that's how the movie goes.
- That's it, that's it.
You have seen the movie now.
- You've seen the movie.
- Oh.
- And so now for the rest of the,
now you go to for the rest of the episode,
we have to talk like we're from Boston.
- Yeah.
- Friends, like friends.
- Sentent.
- That's thank you, transcendent experience.
That was, that was, that was,
that's, I feel like that's how Fennel Postel
is talking about the Holy Spirit.
And then like that was like, that was tons.
- Yeah, that was that, something happened there.
Thank you.
- All right.
- Courtney, question one, just come back out.
- Yeah, that was, you know what's funny is,
ladies and gentlemen, I give them,
lots of way to read if they want.
And Courtney just like, she channeled the inner mark.
- What?
- I'm so glad you didn't, what you did was so much better.
- I mean, it was right there.
I was like, she should read it, but don't even worry about it.
- I'm so glad you didn't.
- Didn't even, I don't, mini-coupas.
Okay, we're there.
You can, yeah, could you just get the mini-coupas?
The mini-coupas are especially important.
The mini-coupas are especially important
because it was in the first time in a job.
Like they made them look cool.
Like they could actually do.
- It's not that they made them look cool.
You have to understand that because of the,
the mini-coupas.
Let's talk about some fast fan feedback.
- It is time to fast fan feedback.
- I did almost break the internet by pissing people off
by connecting Italian job and fast and furious.
- Oh, hey.
- This is what I don't understand.
Why do you, why do you, why do you, why do you, why do you, why?
- Oh, hey man.
- Because they were like, absolutely not those
the dumbest thing I've ever heard in like, anyway.
- I wanna hear some of those.
- I gave mostly the nice ones,
but before you to the Reddit comments,
I did get Joe from Instagram who regularly votes
and falls their stuff.
And you guys were talking about mini-coupers
and his opinion was this movie tried
to make the mini-coupa cool.
- I'm a failed.
- Hey.
- I thought with a tube sound like,
I know people with mini-coupers
and they'll die on that hill with a mini-coupa,
but I'm like, they're always broken.
No, it's not that, it's because of 1969
because, come on.
- I'm gonna put that in the car.
- That was the original car, right?
- It was funny though.
I remember the first time I watched it
and this time I watched it,
every time I watched it,
always been thinking like they make mini-coupas
look wakeler than they are.
When the first opening of Shurys driving,
I was like, what does that do?
Anyway, now one of these comments,
this is a really well thought out answer,
but also a strong disagreement.
And it was from Sarah Kew,
who has frequently responded to us on Reddit
and she gives the most in-depth,
at one point we just read her plot summary of a movie
because we were like,
that's better than what we came up with.
So again, I was like,
do you guys think it's part of the fast universe
or could it be?
And she said, no, the Italian job is absolutely
not part of the fast universe.
The mini-coupa gag was just a wink
to say them's previous car-related film work.
- Oh wow.
- But then she takes it to set further
'cause she's like, but I'll tell you what,
it is a wink too.
She's like, now,
if you ask if Stathons transform films,
and his Porter films are part of the same universe,
that works much better.
It's still a crack theory,
but it's a better fit so far
as silly crossover universes are concerned.
And then she goes further.
If you want to really build out a crossover universe,
you might as well consider to add
Stathons 2008 film Death Race to the Next,
the film co-star Tirey Skibson, Roman Runch,
and featured custom built racers.
And I was like, oh, that's enough.
And then she said,
Stathon was also previous worked with Sun King in the 2007
crime film war and Luke Evans in the 2011 crime film.
But those were not part movies like the transporter films
or Death Race.
So I don't think they have to be Easter eggs
in the fast films related to them.
Now, I'm curious to go back and watch War
to see if Sun King is shown snacking on nuts in the movie,
like he is in Tokyo drift.
- Oh, wow, that is like,
yeah, I wish I had that much time.
- I like this guy's answer.
Two headed horsemen says,
"When I saw Hobbs and Shaw in theaters,
I felt like the statement about the many made it canon.
It's likely up to us to the side,
whether we want to believe it or not,
but I'm choosing to believe."
- Santa Claus, that's like,
what a nice answer, two headed horsemen.
- I'm so sweet.
- Right?
- That's a toki.
- Polar Express shit, you know?
- I loved that movie.
- And then any Tomatillo 1323,
who we also had a comment from for super fast.
- We did.
- The only qualifications for something to be in the FU
are these three factors.
- Okay.
- This family am in component.
With someone jump from a moving vehicle to another.
- Is there a shot of a butt that feels forced?
- That is a wood blame.
- And nowadays the butt still has to be nice.
Like that little cup under, he's right.
That is a wood blame.
- It's good rubric, yeah.
- I don't care about the moving car.
I do care about the shot of the butt.
It has to be right at the bottom.
- I like a good butt shot of the horse.
- I don't wanna see like the lower part of your back
and then that's it.
- And I feel like the music,
like the, that's a key part of the shot of the butt,
like a cool song in the back of the horse.
- Never walking, you know?
That's never walking.
They're always standing there jiggling.
- You know when you're about like that,
you need to stand and let people appreciate it.
- I can't imagine.
- Power movie magic right there.
- So I will say the Italian job had the cars,
had the reference to family.
While there wasn't a butt scene,
I'm gonna substitute.
We saw a lot of needless Charlie's thrown in her bra.
- Yeah.
- Like, to the point where he broke into the room
just so we could have a scene where something,
just thought that thought horse is like,
you can't, okay.
They really did ask her was she okay with nudity?
- Right, yeah.
- Yeah, they had to.
- I get that they probably felt close.
She had a dad and this, her dad raised him like a son.
They obviously were buddies beforehand,
but like, close to you have to be,
go to visit someone at their hotel room.
- It is knock on the door.
They're not answering.
So what do you do break in, actually?
- I mean, I don't think,
yeah, but I mean, I don't think,
unless I smelled like a dead carcass thinking,
like, oh, they're dead,
I wouldn't probably go in there.
- Y'all, and even if I smell a dead carcass,
I'm not going in.
- Yeah.
- Think of it.
- Yeah.
- What do you do?
- That was, that was Balzy of Markymore.
- Yeah, I'm a gonie, but again,
I feel like he's Marky Mark.
- Yeah, he pulls it off.
Remember, he said, do knock out him there.
So Mark, we're sorry.
I forgot.
- I forgot.
I actually, yeah, completely forgot.
Speaking of things, in general,
what are our thoughts on this movie?
I don't know if anyone wants to jump in first.
I can pose my first question
that I was thinking about.
- First question.
- Okay, so you were on this crew.
- Okay.
- Which character are you?
Not so much like which person,
but like, are you Jason Safe and the driver?
Are you Napster, the hack person?
Are you Charlie's the, the, no, the safe cracker?
Yeah, Charlie, the tactician.
- Yeah.
I'm Seth, I'm the Napster.
- Okay.
- Even though he said that he stole that idea from him.
I'm the Napster.
- I think about it every time anyone references Napster.
- You know that was the original guy.
- Yeah, yeah, that's so cool.
Yeah.
- So that's who I am.
- Who are you?
- You're the tactician.
- I think, I think, I often get asked to drive when I do,
I probably would be Jason Safe then
because people are like, can you just drive?
And I'm like, I don't, sure, why not?
- Yeah, okay.
I feel like whenever I do shows or whatever out of town,
like, usually I end up driving.
So that would probably, in my mind,
might be, might be, you know, picking locks,
but I'm just the driver.
- I am absolutely not the driver.
That's for sure.
- Yeah, no.
- It's a terrible driving history.
And when I watch Fast and Furious,
I'm like, I wish, but I know me well.
I do like to like organize and put things together.
So in that regards, I feel like I could be like,
Charlie and that.
- It's you that review.
- I'm also a techie though, so maybe Napster.
Like I also wouldn't mind,
while you were all were having the day.
- Oh, somebody had a nice shop.
- I wouldn't mind being in the back and just,
oh, Greenlight, so you got it.
So.
- Like I would not mind.
Now, if that, because again,
she still wasn't the sexy model turned actress.
- Yeah.
- In this?
- Who that was the care.
- Well, so many references to so many review.
- But I mean, if they did have that in there,
then I would be that girl.
I'm the people's death.
Like, okay, I got the-
- Blowing things up.
- Yeah.
- Left ear?
- Yeah, I'm left.
I'm definitely left ear.
I'm like, all right, let me tell you guys something.
- Like swag that he kind of, of course he has.
You know, I could see that for sure too.
- Every time I see this movie,
and this is one of those movies,
or any time it was on TV, I would watch the whole thing.
Like, that's what I really like this movie.
Any time I see this movie is that scene
where he's like, I had a bad experience.
- Yes.
- I've always wanted to know,
what do you guys think was his dark, bad experience?
- Oh, the doubt, oh, and black folks don't deal with dogs like that.
And if you get teeth, it bites.
- Yeah.
- So that's just, that's just,
that's just a, if you get teeth, it bites,
will they not going?
- Absolutely.
- And then though, nine times I'd attend any in-do,
none, so let me just probably chase them.
- Yeah, for sure.
- It's enough, like that.
- That's enough.
- It was probably a little Yorky, and it would be,
and I'm sick of folk like that.
(laughs)
Yeah, I'd say he probably got better,
- Yeah.
- And it was tough.
- And it was when he was a kid too,
'cause then it's formative.
- It was when he was about five or six,
and he's been done ever since.
- Yeah.
- Honestly, I get that.
I'm not a big dog person, your dog is fine,
your dog is the exception.
The one thing I really liked about the movie
was the good car chase scenes.
Like, that was really relevant,
and, um, and then the one critique I have is,
I would have liked a little bit more characterization,
'cause some of them, we got a lot of characterization for.
So, like, Charlie's their own Stella character.
We knew so much about her, and just that hour and a half,
or whatever.
We were Seth Green's "Lyle" character.
We knew so much about her.
- Yeah.
- Um, we knew, you know,
but then you had other ones who, like,
they opened up the door.
I would have loved to know more about the connection
between Stella's dad and Charlie.
I would have loved to know more about, like, Hanson Rob.
- Yeah.
- How much, other than he's the driver?
- He's the driver, yeah.
- It would have been interesting to tell more about the connection
or history between Charlie and Steve, the villain,
because they clearly have issues with each other.
- Right.
- And they acted so well.
Sometimes in movies, you don't have to have all the information.
And that's okay.
But, like, it was fun to me, 'cause, like,
it felt like the actors knew more about the story
of these characters, and they were playing into it.
- I think that's also, like, an actor,
and you can speak on this too,
where I remember seeing, like, an interview with,
I think Jordan Peelvin, like, whenever he writes a movie,
and has an actor cast, he's like,
"Now you're the expert on this character.
You can tell me as the director what this character is."
- I love that.
- So I think, I'm Linda Betz,
and all of those people are, like, Oscar-winning actors,
you know, been in all these high-profile movies,
like, before and after a time job.
They probably came in, you know,
some of them probably classically sharing
with that mindset of, like, "I'm in a bunch of this character,
"and they're gonna play into things that maybe weren't
"in the script, but also maybe aren't, you know, implied."
- Yeah. - I would say,
I mean, I definitely know that once you get a script,
you're looking at it, and you might not know
what the director wants for you,
but you're looking at it, and you're trying to,
what choice is you're gonna make, what mood you're gonna be in,
when you say this line, this line, and this line,
I will say, and to your point, when it comes to Jordan,
I don't know about any other directors,
that is probably one director who I would love to be under,
because he is a teacher as well as a director.
So when it comes to these characters
that were in a Italian job, you can tell that they were,
the majority of them, 80% of them were very rounded out.
- Yeah. - And that could have been
because the director gave them a lot of lead way
to be who they are and be themselves,
and he was like, "Okay, I'm gonna let you choose."
- Right. - Yeah.
- We did love, I mean, I felt like every actor in that,
movie did great. - Yeah, they cast, you know,
there's something else I wanted to comment on too,
like it is an almost two hour long movie,
but it feels like it goes by so fast
that it almost could have been a little bit longer
just to get some more characterization, could.
These people are interesting people,
it's like, how did they all come to this lifestyle?
You know, because, you know, do get like,
yeah, with sets, characters, he got wrong,
he got fucked over, so he's like,
"Well, I'm just gonna turn to a life of crime."
- Yeah. - So I am, you know,
and then like someone like Stella was born into it,
and she's been around it, but like,
is this what she really wanted to do?
Like, did you have any other ask for it?
There's so many-- - That means, right.
- That means-- - We need the Brazilian job.
- We need the Brazilian job.
We need the Brazilian job.
I do have some notes that I wrote down when I was watching it,
like as far as my opinion,
so I really thought it did pay a good,
put good homage to the original movie for sure.
- Oh yeah.
- Nostology, but also it didn't look dated,
which I thought was really impressive.
- No, it did.
- Like it kind of came out last year.
I like the intros that Charlie did for all of them too,
because a lot of issues, I think, with movies like that
with the unsolvable cassettes,
like it's a lot of "Tell but Don't Show."
It was doing the narration,
that is kind of a cheat that I think happened.
Not in a bad way, but like he was showing all of them
and giving them each their beat.
So I think what we were picking up on with the
roundin' of the characters is like those moments of like,
just seeing a flash back in their life,
like seeing, you know, left, you're like,
why is he left here?
What was his motivation for the last kid?
That's what he was doing.
And like, just, I don't know.
I think that's maybe,
I think a good direction in that there was maybe a lot of room
to play with the characterization,
but they did the most of what they could in that runtime.
- Oh, sure.
- Well, Universal, whoever, it was like,
we have to keep it at this time.
We need this many car chases.
X, Y, and his, that's usually how those sorts of things work.
But I think that there was a good effort with the cast
and with the director and the editor of like,
how can we pack in as much, like, like,
you know, how can we pack as much like depth
and this is we can and do.
I think that intro, and I'll see outro too,
like in the end shot scene,
showing what they did with their money.
It's if I love that, when they do that kind of,
it's kind of like a Robinhood thing.
- Yeah.
- And it also just played more into the characterization.
Like, everyone did exactly what you thought they would do.
Like, I'm sorry to keep rambling about,
but I just, such a good example of that
because I think it was for,
not to bring them and get another, you know,
writer, director, but Quinter Brunson from Abed Elementary
was saying that someone gave her writing advice
where it's like, how to write a character.
And it's like, it doesn't have to be as complicated
as super complicated.
It could just be as simple as how would each of those characters
pick up a $5 bill?
- And just like, what it's like,
and she kind of broke down all the characters in that movie,
like how would they do that?
And I felt like that end credit scene
with the money was kind of that version of like,
each character did something different with that money
that was included them that gave you kind of almost
like a trick of like, oh, I know so much about this character
just from that one thing they did with that money.
So anyway, a rant over, I just,
really, pay off that, just, I just thought it was so,
well, the movie deserves more flowers
because it really does give the actor
a lot to work with the little benefit characters
of characterization behind that they have.
So it feels like you don't get movies like that anymore.
- No.
- It feels like there's always the motivation
for a lot of new movies is to make money.
- Yes.
- There's certain things you did that seems like
all movies have to do.
- Yeah.
- Absolutely.
- And it feels like there's not as much focus
on telling stories, there's not,
there just doesn't seem as much focus on like,
I mean, acting and the plot,
like it seems like it's all very cookie cutter.
And then as a result,
and I've noticed this, and as watching some of the movies
where watching, sometimes I've been able to cast
on the movie wars podcast, and sometimes they watch
like older movies.
And so it's a reminder you watch these movies
where like the actors seem like they're enjoying it.
The actors have characters that they're playing.
There's a story that's being told.
And I feel like nowadays when I watch new movies,
which I still love watching new movies,
'cause I also like the, I like the special effects
and like where we've gone in there.
But like one thing that kind of irks me is,
it's always like, I feel like there's always someone
telling you the story in the movie.
There's always way too much exposition.
They're not showing it to you.
They're not making you experience it.
You know, on the right, it's like you,
it's like you have a narrator as you're watching the movie.
- Right, absolutely.
- There's no room for interpretation.
- Yeah.
- And like, again, I'll shut up about these directors
and people, but one more shout out to David Lynch, RIP.
And that was one of his things that he would always,
he was famously would never talk about,
never give away like the meaning behind his movies.
He's like, there's not enough stuff in this world
where you could just take,
and it's from your own opinion about something.
- Yeah.
- When we're able to interpret something
and there isn't a long-awking question,
I feel like that's the space
that where art can do its most work.
- I agree.
- Because then like, we can interpret it differently.
It can connect with our emotions.
And so, and some movies do that really well.
And some, there's like, here's the story.
And there's no leeway.
- Right.
Which I get sometimes I think when certain,
maybe in certain like, more socially conscious situation
where you do need to be more spooned,
specifically the audience with certain things,
like no, you need to understand this experience.
But I think, but I, like I would say like,
maybe the barbie movie might be an example of that
of like understanding just like remedial feminism, I guess.
- Yeah.
- Yeah.
And people are like, oh, this is crazy.
That women deal with this or whatever.
You know, so some of these I think that does serve that,
but other ones, when it's just like they just don't
have a lot of creativity.
But you're like, this is the story.
We are going to tell off the page.
We're not gonna change anything.
'Cause I don't wanna think about,
or I don't know.
- Yeah.
- But I think there's definitely a new ones to that, you know?
Basically, what we're saying is if you wanna believe
the Italian job is part of the fast universe,
you do it because it's art and art is meant to be interpreted.
- It's up to your students.
- You do.
- Yeah.
- In the comments.
- Yeah, absolutely.
Let's just blast each other about their opinion.
- Yeah, absolutely.
- Let's share some fun Italian job trivia.
- Well, let's do it.
I wanna hear it.
Let's go.
- Actually, I liked the little flexoids I found here
on this one.
So during the production, Charlie's Throne
got two speeding tickets,
while driving in her own car.
- Love that.
- She just said that she got so used to filming,
driving so fast that she couldn't do it,
like, slow down on her way home.
So this kinda goes to what we're talking about,
the visual effects and just how realistic things look.
There were no visual effects used for the scenes
with the helicopter.
So during the ending final chase scene,
that helicopter actually did fly under like a freeway.
Can you imagine being like someone in--
- Just drive it home?
- Oops.
- I'm sorry, is that a helicopter?
- You're in LA or wherever they shot me?
- Where the hell is this?
Where do they shoot this at?
- I don't know, maybe Italy.
- This had to be shot in Italy.
- Probably some of Italy and I'm willing to bet either,
probably, you know, 'cause I think this was pre-Atlanta
getting that, oh yeah, yeah, yeah, yeah, that's true.
- We do a lot of film, there's a lot of good spots
in film in Canada.
I think a lot of movies at it.
- A lot of movies, a lot of TV shows out of Canada.
- Yeah, we like you and respect you for what--
- And I stand with you, right?
- It's not like Drake though, so.
- Let's say-- - Sorry, that's just a mean,
okay, whatever, I don't.
- It's the her thing.
- Yeah, I'm okay.
- I don't, I'm indifferent.
- I'm indifferent.
- Are you indifferent?
That's not like you had some different.
(laughs)
- Who would you get?
- I would drive, he'd go, but let's keep going.
- The beautiful woman in Laos House at the end of the movie
is played by Kelly Brooke.
- Who, the time, was Jason Statham's real girlfriend?
(laughs)
- That's cool, I wonder what she's up to now.
It says that the time, so I'm wondering
what it means they broke up.
- Yeah, I'm pretty sure.
- Sorry, Kelly.
When Charlie tells Lael how many bricks there are,
Lael tells Charlie, excuse me, who are they named?
That's Lael how much that's worth,
and Lael after making a mistake, says 27 million.
However, the time, regular, non-decorated with dancer bricks
were worth about 168,000 each,
which would have made 208 bricks worth at least 35 million.
- Whoa, okay.
- I don't know who was watching the movie
and was like, I wonder if that's accurate.
- Yeah, I already know, it was some math nerd.
- Some math nerd.
- Love you, math nerds.
You keep the world going, right?
- I have one downstairs right now, I have a math nerd.
- We're gonna give him the fact check that brick information.
- Yeah, right.
- Well those are the fun facts.
Now what I'm, the most fun for me is,
I'm giving our two fast, two-periods rating on the Italian job.
So who wants to start?
- Start.
I'm gonna give it a, you mean, serious.
- Are you serious?
You're not messing with us?
- I'm not.
The reason is, is not that I'm optimistic,
this entire time.
- I know, is not that I didn't like it.
I was just, it was cool.
- Okay.
- It was cool.
It's not that I wouldn't watch it again.
I'm not gonna run to watch it again,
but it definitely wasn't bad,
but it's, do you think it's because you saw the original first
and you had that in your opinion?
- Yeah.
- That's your Italian job.
- Yeah.
I honestly get that though.
I saw this one before, it saw the original.
And I was like, I was disappointed, they did really good.
I especially loved my girl, Charlie,
giving him that nice little shiner at the end.
- That was an absolute great day.
- Love you, Appelbeer, Way to Go, Poo Bear,
I love you, Poo Bear.
But it was cool.
It was cool.
I was a man about it at all.
- She was not mad.
She wasn't furious, but she's giving it a furious.
- She wasn't a furious.
- I just, just in case we were keeping up,
she gave super fast a too fast,
and she's giving the Italian job.
- That's fine.
- Okay, well, I wanna see what they say about me
in the comments, like, what is wrong with her?
Kick her off of the podcast.
I mean, I can't see her fast, just like a parody.
That's fair.
That's what I'm saying.
I'm in a silly mood.
- That's, you're a silly good.
I'm a silly good.
- All right, I always cry, I'm usually good.
- I appreciate that.
That is true.
That definitely, that movie was your speed,
and especially knowing I'm a silly good.
- It's not that I would not watch the Italian job again.
Would I watch it, would I watch it tomorrow?
I wasn't like, oh, yeah, really good.
(laughing)
- That's, that's, that's all you know, it's a too fast.
- Over too fast, is that, yeah.
- Something that's been there's, yeah.
- Courtney, what about you?
- I would give it, you know what?
I'm gonna give it a too fast for the nostalgia.
I just, and also just the fact that rewatching it again,
I'm like this, practical effect,
I think, is probably why it doesn't look so dated to me.
Maybe some of the clothes,
but that fashion's coming back around anyway.
But like, I feel like it just,
it looks good for the time of it could have been,
could have, they could have really phoned it in,
and maybe some people think they might have done that,
but I just think they did a good job with,
not just totally remaking the original,
just not, it was stylistically,
and also like storyline wise, wasn't totally beat for beat.
I feel like they had some differences,
and cast was just so good,
like even the Edward Norton hated working on it.
Everyone worked well together.
They all seem to have chemistry,
and that way of like, they played well off of each other.
It felt like a good character piece in a weird way.
Like, you know, I wish there were more character pieces
in high smoothies, like,
- Yeah. - And that was just love you.
- Yeah.
- I loved to pontificate about movies.
This is just, I've been looking forward to that.
- We love having you here, pontificating with us
about movies.
- I've never heard someone say that word in a long time.
- I know last week I say I didn't want to be given out
fast willing ill-eat.
This week I'm gonna draw, I'm gonna go above and beyond.
I'm gonna give it to fast.
- Okay.
- I, first of all, I feel like I agree
with everything you were saying in Courtney,
so like, I'll take one of those.
When we rate these movies, to me,
it's all about your personal preference.
I don't like to be known objectively, whatever.
Like, I'm just rating it as,
I've really enjoyed this movie.
I enjoyed seeing it just this morning.
When I watched it, I enjoyed seeing it in theaters.
It was the movie that in college,
whenever it was on, we would just watch it all the way through.
I feel like it was, like in high school,
it was the safe youth group movie.
Like, if you wanted to show your kids a bit cool,
but like, you didn't want them to go to hell,
you'd show them the Italian job, you know?
So, like, I've seen this--
- The FCA related movie.
- Yeah, like, it's fun, yeah, it's fun.
There's not, you know, maybe you get to edit it
and then when they don't show, you know,
Charlie says much in her undergarments, but, you know,
put even that just like undergarment,
when it's on their side.
- True, you are now my baby brother,
because you just did undergarment.
Look at that, we're a family.
The fact that you just did undergarments, I love you for that.
- Yeah, you know, the youth group thing,
I think that's where I saw it a lot too,
because that movie, I forget that we're all different ages,
slightly, I-- - Yeah.
- That movie came out when I was 10.
And so, I remember that just being shown
in middle school youth group, because it was like that.
And eventually when the first Fantastic Four movie came out--
- Yeah, oh wow.
- Let's play a lot in our youth group too.
So those were, so I think maybe that's also that like,
child, - Yeah, it's just a fun movie,
but I mean, I thought it was a good movie.
Now we get to the part of the night where I regain my lead,
you know, I mean, CJ's competition,
we're at Drew's Best Bits.
- Oh, that's nice.
- This is the part where I pick three scenes in the movie,
and Courtney gets to play as well.
Both Courtney and CJ will try to pick
what I picked as the winning scene for my parameters for today.
So I mentioned earlier that Seth Green's character
Lyle was my favorite character in the movie.
I really wanted to do this for Hanson Robb
because you know, like Deco Shaw,
he's the tie-in to Fast and Furious,
but the more I watched it, the more I remembered.
I really like Lyle's character, hey, hey.
- Yeah, go ahead, go ahead.
- Yeah, just had to go.
- Yeah, but it's about family and heart
and butt, force and cut photos.
- Absolutely.
- So to keep it in the season of that franchise,
I was drinking, but this means like little shaky booties.
- Yeah, absolutely, I got out there shaky booties.
So I've named this part of the section,
it's Drew's Best Bits, but today we're doing
Napsters, Narlie, Nod.
- Ooh. - Lizard.
- Ooh. - Lizard.
- I nodded and he seemed like that's a fun scene,
and you guys have to pick the one that I liked the most.
- For good, so.
- I liked that. - God.
- Good nod.
So I think that is,
if that's not our best name for this section,
the second best would be what the Furious moments
when you just hated the movies so much.
So anyway, so the first scene,
I try to do these in order in the movies,
so these are your options.
The first was when he was doing the handsome rob in
First Nation while he was like hitting on the,
while he got the shirt.
- Yeah. - Okay.
- It would need.
The second scene was when he was making all the lights
green and he just had like a dialogue to seemingly
knowing where he was just talking to me.
- Right.
- He had real geek or game vibes,
like I mean, I've talked to the computer screen like that
and I said to nobody.
And then the last one is actually the ending
where he's got the, I guess Jason safe and scroll
from the time he had her in front of the stereo
and it was just, he's like, just stand over there.
Nope, no.
And this poor woman was like,
sure, why not?
This doesn't seem weird at all.
- Yeah, I'm here, you guys rich.
So yeah, so those are my three scenes.
Which one do you all think is my most gnarly nod
to Napster?
- I think the second one.
- I was gonna go with the second one too.
- Second one, which was the green lights
and unfortunately no.
- Hopefully no.
- It's fun for me.
- Drew, that's it.
- Yeah, so I absolutely find it hysterical
when you watch him do the handsome Robin impersonation.
- Hello.
- And here's an added fact that makes it more hysterical.
You can find it on YouTube,
but that was all improv by Seth Green.
- I love that.
- And you can find an unpublished version
where he just keeps going for like five or six minutes.
- That's amazing.
- Just, and so every time I see the short one
I'm reminded of the longer one,
the good news is is now I'm in the lead five, four,
CJ with four, with five.
- I agree.
- Courtney, you come back anytime you want.
- You're three month, I'm so sick.
- Exactly.
- Another one for the white people.
- Another one for the white people.
- So sick.
- During black history, my.
- That's disrespectful.
- Okay, yeah, look, they didn't give us much
and added on took this win.
- They didn't expect it.
- Took the best bits and the win.
Well, no, no, no, man.
Now seriously, like Courtney, thank you so much for coming.
- Coming out, please, we're not, you're more than welcome.
No, we're going to have you back.
- Absolutely.
- We're gonna have you back.
- I mean, they're building a new Fast and Furious
Rollercoaster.
- Yeah, they are.
- Studio's, Hollywood.
I've been on the ride in Orlando, which is terrible.
Have you guys been on?
- I have no.
- Oh, no, I'm not going on it.
- The ride was awful, but I mean, the best part
of it was the queues that looks like Dom's garage
and stuff, nods to the movies, but then the ride is ass.
- Yeah, no, no, no.
- Pudy Shake it ass.
- No.
- He's doing, he's doing good enough.
- Yeah.
- He's doing good enough, like with me watching this,
it's because it's fast and I don't do nothing fast.
- Yeah, well, that's, no, you're not gonna,
you're not gonna do a podcast review of the Rollercoaster?
- Absolutely not.
- No.
- You're about to sell it at that spot.
- And while you guys are there, I will film
and make sure you absolutely, absolutely,
'cause there is, yeah, absolutely not.
- There we go.
- What a plan.
- No, there is no way, but guys,
really quick, I just wanted to say this before we head out.
We're looking for sponsorships.
If you or anybody you know that wants to come on and sponsor,
make sure you hit up this young man right here,
Drew Davis, hit us up at quarter mile podcast.
We are always looking to spot like you.
We wanna get your info,
while we wanna get your products out.
We wanna get your, just your brand out, you know what I'm saying?
And this is a small podcast, but, oh, I'm sorry baby.
But we have a big reach even within our own little tiny community
within our own comedy community.
And we love to follow you.
So please, please, please, hit us back.
If you know anyone that would like to get a spotlight
on the quarter mile podcast, hit us up.
Please, hit us up on all of our socials.
Courtney, what is your social before we dip out of here?
- So you can find me on Instagram, Facebook,
Blue Sky, Red Note, as a,
- Yeah, I'm on there that day.
- Everywhere, yeah.
- I'll tell you my TikTok,
but it's more of like a troll account.
So I really, so my TikTok is the,
the Kalomakia belly 13.
Very different than everything other,
but like I just use that to repost stuff.
So I don't do a whole lot on there,
but my, it's all the important business ones
to come find me on is Courtney Warner 13
and Courtney is spelled C-O-R-T-N-E-Y
in Warner, like Warner Brothers in the number 13,
like the day of the month or the number,
because it's a number.
She said like the day of the month.
- I don't know if you all heard of this thing called 13.
- What?
- It has a one.
- And a four-incher.
- Crazy.
- It's 10 plus three or,
- I'm sorry for that.
- Whichever, whichever way you do it.
No, I'm sorry to this number.
It's pretty niche.
- No, well, we wanna thank you guys for always coming out,
always looking at us, always supporting us.
We are on all social media networks.
We are on TikTok, we are on YouTube,
we are on Instagram, we are on Facebook,
at the quarter mile podcast.
And next week, what are we gonna be watching?
Next week, we are reviewing the movie Red Line.
- Ooh.
- Have you seen it?
- No.
- Goodbye.
- We have a bonus content episode
that we're gonna do, and I'll tell you about that next week,
but I'm just teasing it right now.
And it's dramatic when you just tell them what you're doing.
- Exactly.
We love little teas out here.
- Exactly.
So make sure you come and check us out on all of the websites,
all of the social media's,
and make sure you live your life a quarter mile at a time.
(dramatic music)
